Author interview – Intuitive Magic Practice

evoke Interview

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The Crone and I at Samhain

I heard her say ‘Get on a horse’ and without hesitation I got into my car and drove to the woods that called me. She was all around and Samhain felt near. I felt calm and ready to commune with her.


The woods kept changing atmosphere from grey and wet to light and shimmering. Autumnal light streamed through the golden tops of blackened tree bodies. I felt a sense of intention and joy within. She was near and I was reassured. I realised her confidence-building purpose and quality as I developed my own inner hearing. She is and always has been on the side of the feminine and healing of the wounded maiden was just one intention she carried. Today I truly felt that having been through the maiden and mother stages.


Cronehood is a stage I truly look forward to and even more so with her by my side. I am excited and curious about things to come. Today she was full of lessons and the more I engaged with her the more I felt I could truly understand the symbology and meaning behind her one-sentenced phrases. She doesn’t say much and very intentional with what she discloses.
She spoke of the importance of our bodies, physicality and how our disconnection from the animal-selves caused discord and imbalance in many areas as a result. She spoke of nature and landscape as essential parts to any life as they hold the animal-self within offering us to connect back to the earth, the self and spirit of things. Only through deeply feeling into the physical and matter-like within us we can encounter the spirit. It is all interconnected.


She spoke of how we disempower ourselves via covering up by dying our hair, messing about with nails and shaving off what’s intended to be there. And not only that we create a world of shame, unacceptable, conforming and pleasing to the external as a result. We cut off from the natural self by avoiding our own beauty, the natural kind. Our crown becomes dimmed with chemicals and that magic that can be felt in the fingers is dimmed. I can relate to the fingers holding the paper well and am guilty of not looking after myself in that area. I connected instantly to the message of disempowering myself by not being kind and nurturing to myself. It saddened me.


With the crone hood stage we are invited to delve into another stage of coming back to ourselves. I feel excited by it.


Last year she spoke her word to me, which I turned into a book. It comes out in December and I look forward to sharing the message with more women around the world.


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Latest review:

“You have given the world a delightful and deep examination of Baba Yaga from your insightful and learned perspective. Thank you.

 In a world where uncertainty and fear are the currency of the day, we can become enchanted by a sort of artificial lightness that ultimately only makes us more anxious. We become terrified of the dark. Yet it is in the dimness of our own souls that we find refuge from the harshness of life.

If we are able to peer into this darkness we may see a peculiar little house governed by a curious figure. Baba Yaga, crone of legend, greets us with a glint in her eye, and a question on her lips. “Who are you?” she inquires with a cackle. Natalia Clarke answers this question, while exploring the stories and characteristics of Baba Yaga through traditional lore and personal insights. Merging together her Slavic origins, training in depth psychology, and natural spiritual practices, she is our companion as we venture into the mysteries of this face of the crone. Beautifully written with journal entries, dream explorations, and ways to connect with Baba Yaga, I highly recommend this delightful book for anyone who wants to go deeper into her mysteries.”

By Cyndi Brannen, the author of Keeping Her Keys

Pagan Portals Intuitive Magic Practice review

Intuitive Magic Practice, part of the Pagan Portals series, by Natalia Clarke makes me want to breathe a long, deep sigh of relief. Things have been a bit hectic in my world recently, and I’ve felt the disconnection that stems from being out of touch with my inner voice. Reading this book has shifted me back into my more natural, receptive state of being in the most delightful way.

Clarke has combined her experience as a transpersonal psychotherapist with wisdom as a spiritual guide to offer readers insight on how to create an intuitive magic practice. Throughout the book, her gentle, calming tone invites a sense of fluidity, harmony, and personal energetic resonance to emerge.

In no way is this book one in which the author holds the knowledge, prompting a hierarchy between author and reader. Rather, Clarke develops a relationship with the reader that’s guided by feelings of goodwill and trust. Much of the imparted content to the reader stems from her own personal experience, and she writes this book as though she might be telling a friend about her experiences with magic and developing intuition in her own life. I enjoyed her anecdotes and the lens it provided me into seeing how she developed her own spiritual perspective.

I really liked reading about the importance of nature in Clarke’s spirituality and connection to her intuition. There is so much beauty in the natural world, along with lessons of tending, growing, and slowing down to enjoy the moment. Since her writing does not stem from any one belief system or practice, I noticed how nature seemed to be the greatest influence that gave shape to Clarke’s experiences.

However, there’s so much that Intuitive Magic Practice covers. Each chapter highlights a method of connecting to one’s intuition and offers ways to become receptive to the guidance of one’s inner knowing. Receptivity is key here, as Clarke’s writing calls the reader to settle in, move at their own pace, and gently open to the promptings that want to be acknowledged.

Some topics covered in the book are dreamworkjournaling, breathing exercises, creating sacred space, creative imagination, moon cycles, and more. Clarke also shares spells, information on candle magic, and guidance on how to select ritual tools. Through it all, she emphasizes that there is no one size fits all model for one’s magical practice; there is also no need to force something when the energy is not there.

“This way there is a natural flow, no force, no attachment to an outcome, no artificial influences of any kind and it always works. One might say I flow with intuitive energy if and when it comes in. If I am not called or specific energies are not present, I do not do anything.”1

Clarke also includes information on the Triple Goddess aspects, working with the elements, and tips for intuitively crafting one’s own magical practice such as writing spells, casting a circle, and creating rituals. Again though, this all arises from a place of moving with the flow, rather than planning, specifying, and dictating how the process should look. She even contrasts intuitive magic to ritual magic to help readers get a better sense of this method in relation to others.

My favourite chapter of Intuitive Magical Practice was “Intuition, Divine Feminine and Sacred Self-care.” While this book has valuable information for all readers, Clarke does note in the introduction it is more geared towards a female audience. All I can say is this chapter was all I needed to be reminded of and more right now.

As I move through a phase of transition, stemming from immense burn-out in my last job that lead me to severely disconnect from my own internal guidance, I desperately needed the reminder that listening to my intuition, caring for my body, and moving in alignment with the energy is a practice of sacred self-care.

“What do I mean by sacred self care? This links in with self-awareness, which can grow through listening to yourself with complete trust and seeing powerful results in your way of being with yourself and the world. It means giving yourself what your inner voice asks of you or points you towards; giving yourself what you need in the moment by listening to your intuition; treating yourself with compassion, love and respect, as you would any divine energy.”2

It’s interesting too how Clarke reminded me of the importance of moving according to where the energy is and how things are flowing. To be honest, this book has been sitting on my shelf for about two weeks now, and I had procrastinated delving into my new book. I tried to read it a week ago, but after a few pages it was sidetracked. Then, suddenly, this morning, all my energy was focused on reading this book and sinking in to receive it’s message. I am so glad that I trusted the timing of my feelings and didn’t read it in a mindset that wasn’t ready to embrace all the wisdom in this book.

For the past few months, I’ve forgotten that it’s okay to live according to your intuition and trust the timing of when things unfold, but reading Clarke’s words reassured me that it’s okay to move in rhythm that feels right for you. It was particularly inspiring to read how she doesn’t do spell-work unless she feels called. Living a magical lifestyle doesn’t have to be doing spells with each moon cycle, or constantly keeping up with a specific practice “just because you’re supposed to.” It can be just as powerful when your practice is fluid and guided by intuition. This is such a deeply refreshing approach to magic.

I’ll admit I moved quite quickly through the book, soaking it all in as I sat outside in the sunshine, feeling the fresh air gently flow around me. However, this is also a book that can be savoured and referred back to over time. While I did finish it quickly, I now am ready to go back through it and practice some of the exercises, which Clarke offers plenty of through the book.

There is one method of connecting to intuition Clarke writes about that I had never heard of before, which I am particularly excited to try out: intuitive drawing. This approach can help to facilitate a dialogue with the subconscious and allow feelings, sensations, and thoughts to arise from deep within. Sometimes I feel like I get trapped in my words, and I am eager to see what comes out when I choose drawing as a form of communication with my inner guidance.

All in all, Clarke’s gentle and uplifting approach to an intuitive magic practice is something of great value to those who are seeking a more natural approach to working with energy. I highly recommend Intuitive Magic Practice to those who are seeking to tune back into their inner voice in a way that feels authentic and true to who they are. This book is a wonderful reminder that there is no right or wrong way, and that healing comes from remembering the sacred connection to our inner guidance. As you read Clarke’s wisdom, I’m sure you’ll feel right at home within yourself, comforted by the words that it’s okay to embrace your intuition and let your energy flow in a way that feels harmonious.

Alanna at https://musingmystical.com/intuitive-magic-practice-by-natalia-clarke/

Gut feeling, intuition or a soul call

soul work intuitive readings

Often the three are used interchangeably, but are they the same? I would like to break it down here and believe there are some marked differences between the three.

 A gut feeling

A feeling that something is either right or wrong. There is a sort of ‘tug’ in your solar plexus area, hence a gut feeling. I believe a gut feeling often presents with a tinge of doubt, ‘not quite sure’ signature to it if we really tune into that. A feeling of ‘it might, it could be’. It presents options, so to speak, therefore requiring a degree of discernment and a choice on your behalf. Because it is uncertain in its nature it is easy to ignore when it comes and it comes suddenly, as mind often overrides it due to an element of hesitation. A gut feeling often comes as a forewarning of some sort, an anxiety provoking reaction. I’d say never ignore a ‘no’ in your gut as it is led by fear, the function of which is to keep you safe. Fear here is not the enemy but a protector. It wants to look after you. When it comes as a ‘yes’, stay with it for a bit, do not jump into the vibration impulsively, as if acted upon too quickly can turn benefits into a not so desired outcome.

Intuition

This is of a vibration of deep knowing, often linked to divine inspiration like a flash, clear as a picture, image, colour, direction. ‘Yes, I know and recognise it’. That thing that writers often refer to as a muse or that thing that grabs them and keeps them in a flow. Intuition is definitive, only one thing. It is fixed in the moment.

Another side of intuition is a personal story revelation, a piece of your own destiny, if you like, like part of a series that is exactly right for you to see at a given moment. Intuition assists us in knowing ourselves better. Very timely usually and aligned with what you are asking. Source/universe linked.

Soul call

This usually produces a strong physical reaction. It is linked to a strong emotion like love, grief, sorrow or burning rage, something quite powerful, almost beyond ourselves, but very much part of us. The following reactions are examples: heart jumping out of your chest, breathing slows down or intensifies, can feel like something is dying in you (in a good way), you want to run for that thing that calls you (intense yarning). Soul calling is very impulse driven, animalistic and instinctual in nature hence very much embodied sensation. It is ‘I can’t live without’ type of feeling, an urgency to be more, to feel more, to jump out of the ordinary and join something beyond yourself that will lead you to your true self.

Image source/credit: https://www.deviantart.com/aniemarch/art/Blade-and-Soul-Mystic-forest-428925635

Going home

Like a lover long gone it gently teases with its promise of pleasure

Like the first love long dead it stirs the ashes of my shaken heart into yarning

Like a smoke over the hills it entices me home

Like a river it washes off my worldly doings

You never were mine, will you be mine now?

Will you come like an old friend that never forgot?

Like an old wound that still remembers the pain of love

Will you heal with me in embrace eternal and sacred?

Will you die with me always knowing the love we shared?

Will you come home?