Book review

This is a sweet book with lots of thoughts about intuition and examples from the author’s own practice and life. It is very much a sharing from the heart of a personal practice, with a lot of vulnerability and plenty of inspiration. And I love how it weaves the elements so deeply through all of the chapters, and makes intuitive magic so accessible. 

This is the kind of book that you really need a highlighter app for (or those little translucent sticky notes!) to mark the things that jump out at you so you can go back and try them, as it is filled with examples and ideas throughout the prose, and they’re sometimes easy to miss. Little gems in a hoard of treasure! 

Clarke has faith in her readers to already apply their intuitive understanding of the world, leading to the potential for people to improve their intuition by handing the details over to their spirit/deep self. For example, the expectation that readers can just “raise that vibration” in themselves, without explanation, assumes a lot of skills, but since these are natural skills that we can all do, if the reader simply places their trust in the author and does without thinking, there’s a good chance they’ll do well.

I don’t agree with everything in this book, and the gendering of intuition does not sit well with me personally. In the introduction Clarke says her primary audience is women, and explicitly writes her material for women in chapter 15, so that’s worth bearing in mind if you’re, well, not. That’s not to say there isn’t beautiful, useful material in the chapter though. Personally it seems weird to me to gender a human ability that everyone has, but as the author is writing from her perspective and personal practice with intuition and the divine feminine it makes sense, and there is still a need for space for women to heal that piece of themselves so it is an important chapter for that. 

So in short: “Intuitive Magical Practice” by Natalia Clarke is a sweet, open hearted sharing of intuitive practices within a pagan perspective, primarily aimed at women, working particularly with the elements and the divine feminine. It is packed with inspiration and personal experiences, to really show how intuition can be integrated into one’s pagan practice.

By Halo Quin, Author, storyteller, witch

Image: author

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The Crone and I at Samhain

I heard her say ‘Get on a horse’ and without hesitation I got into my car and drove to the woods that called me. She was all around and Samhain felt near. I felt calm and ready to commune with her.

The woods kept changing atmosphere from grey and wet to light and shimmering. Autumnal light streamed through the golden tops of blackened tree bodies. I felt a sense of intention and joy within. She was near and I was reassured. I realised her confidence-building purpose and quality as I developed my own inner hearing. She is and always has been on the side of the feminine and healing of the wounded maiden was just one intention she carried. Today I truly felt that having been through the maiden and mother stages.

Cronehood is a stage I truly look forward to and even more so with her by my side. I am excited and curious about things to come. Today she was full of lessons and the more I engaged with her the more I felt I could truly understand the symbology and meaning behind her one-sentenced phrases. She doesn’t say much and very intentional with what she discloses.
She spoke of the importance of our bodies, physicality and how our disconnection from the animal-selves caused discord and imbalance in many areas as a result. She spoke of nature and landscape as essential parts to any life as they hold the animal-self within offering us to connect back to the earth, the self and spirit of things. Only through deeply feeling into the physical and matter-like within us we can encounter the spirit. It is all interconnected.

She spoke of how we disempower ourselves via covering up by dying our hair, messing about with nails and shaving off what’s intended to be there. And not only that we create a world of shame, unacceptable, conforming and pleasing to the external as a result. We cut off from the natural self by avoiding our own beauty, the natural kind. Our crown becomes dimmed with chemicals and that magic that can be felt in the fingers is dimmed. I can relate to the fingers holding the paper well and am guilty of not looking after myself in that area. I connected instantly to the message of disempowering myself by not being kind and nurturing to myself. It saddened me.

With the crone hood stage we are invited to delve into another stage of coming back to ourselves. I feel excited by it.

Last year she spoke her word to me, which I turned into a book. It comes out in December and I look forward to sharing the message with more women around the world.

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Latest review:

“You have given the world a delightful and deep examination of Baba Yaga from your insightful and learned perspective. Thank you.

 In a world where uncertainty and fear are the currency of the day, we can become enchanted by a sort of artificial lightness that ultimately only makes us more anxious. We become terrified of the dark. Yet it is in the dimness of our own souls that we find refuge from the harshness of life.

If we are able to peer into this darkness we may see a peculiar little house governed by a curious figure. Baba Yaga, crone of legend, greets us with a glint in her eye, and a question on her lips. “Who are you?” she inquires with a cackle. Natalia Clarke answers this question, while exploring the stories and characteristics of Baba Yaga through traditional lore and personal insights. Merging together her Slavic origins, training in depth psychology, and natural spiritual practices, she is our companion as we venture into the mysteries of this face of the crone. Beautifully written with journal entries, dream explorations, and ways to connect with Baba Yaga, I highly recommend this delightful book for anyone who wants to go deeper into her mysteries.”

By Cyndi Brannen, the author of Keeping Her Keys